Michael Sporn Animation – Splog

A rich Alex Toth comic creation arranged and sent to us by Bill Peckmann. Bill writes:

In the new recently published “Genius Illustrated, the Life and Art of Alex Toth” by Dean Mullaney and Bruce Canwell, there are pages, after wonderful pages, of Alex’s terrific, original comic book art. I thought it would be fun to see a couple of those original splash pages (thanks to Mr. Mullaney) followed by their stories from when they were originally printed.

Here is a 16 page Alex Toth story that appeared in DC’s “Adventure Comics” in 1972. The “Black Canary” was a super heroine that got her start in 1947 and was updated by Alex 25 years later in this two part story. Lucky for us bird watchers!

This is the Splash page of page one – “the author’s proof”

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The Splash page of the Title page for story 2.

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Here is the prologue page to Toth’s “Batman” story, the splash page follows. It was the only time he did a story of the caped crusader and what an excellent one it is. Teamed with friend, writer, editor Archie Goodwin, who was smart enough to entice Alex to illustrate, by writing a tale that came with one of Toth’s great loves, World War One airplanes!

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Prologue page
This story appeared in DC’s “Detective Comics”, # 442, Sept. 1974.

The Splash page of the Title page

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The Title page

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Many thanks to Bill Peckmann for all his work in getting the story to us.

Sunday will be St. Patrick’s Day although the parade will go down Fifth Avenue tomorrow. Bill Peckmann sent me Alex Toth‘s Darby O’Gill and the Little People. This is a comic book adaptation of the live action film (with lots of Effx.) And it’s surely appropriate to post it today.

I can remember this film as a big deal when I was a kid. Maybe it was just me; I always loved those Effx movies where they mixed Lilliputionas in with the large folk. Outside of the starring threesome in the cast, a young Sean Connery, a very young and attractive Janet Munro and the crusty, but well cast, Albert Sharpe as Darby, the rest of the cast seemed a somewhat shabby lot. Bill writes:

It’s the comic book version of Alex Toth‘s ‘Darby O’Gill and the Little People‘ Dell comic. Unfortunately my old copy came from a used book store and it came missing it’s cover!

Again the scanning and computer screen really help the not so cool reproduction process of yesteryear, the pages look better here than they do in real life.

Step up to the pot o’gold, and take a look:

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Alex Toth had a lot of different wonderful sides, and they’re all rich and exciting. Bill Peckmann forwarded this material whcih is just great. Take a look with me; Bill takes over writing from here:

In anticipation and in celebration of the new, long awaited Alex Toth book, “Genius Illustrated” by Dean Mullaney and Bruce Canwell due to come out in a few weeks, (check out LOAC’s site and Amazon) I thought it’d be appropriate to post three of Alex’s stories from this time period in his career that the new book covers.

This Toth triptych could be called “Alex in Hollywoodland” because that’s where he lived the bigger chunk of his life, and it also illustrates his love for the “good” things that came out of Hollywood. Ever the west coast movie aficionado, it really shows in these Warren Publications stories.

The first story, Alex’s take on the comedies of the silent film era is from the March 1976 issue of Creepy magazine.

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Here is Mr. Toth’s tip of the fedora to Hollywood icons Sam Spade and Humphrey Bogart.
This appeared in the November 1975 issue of Creepy magazine.

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This last story would probably fall into the 1950′s Hollywood Sci-Fi category, and it’s a pretty good fit, but I also believe it’s Toth’s ode to the great Americana illustrators of the Saturday Evening Post magazine of the ’40′s and ’50′s, of which Alex was a great fan. No jazzy panel layouts, just solid art story telling. And, the ol’ curmudgeon really pulls it off, this story of all heart!

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Here are four panels from the ‘Pie’ story, the first version is the printed one, the second version is Alex’s original art. I thought you would like to see what got lost during reproduction. Happily, the new “Genius: Illustrated” book will have quite a bit of original art in it. So, we will get to see a lot more of what Alex’s art looked like when he finally laid down his pens and Pentels!

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- Alex Toth did storyboards, too. Here’s one he did for Hanna-Barbera, and it shows the visceral strength of the “SuperFriends” project. More than the original comic book and greater than the final outcome. It’s a class act, and great thanks to Bill Peckmann and Manual Auad who brought it to him. To Bill:

Many thanks to illustration art publisher, historian, fan extraordinaire, Manuel Auad, we are able to post 28 pages of a Hanna-Barbera “Super Friends” storyboard done by Alex Toth.

Even though the pages are Copies of Copies, they are nice clean copies that haven’t been covered with down-the-line production notes yet.

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Here’s another board he did which we posted a while back.

- When I was a kid in 1957, I was all hopped up on the start of a new series coming to TV. Every kid in America was. Zorro was promoted endlessly on the Disneyland Show and on Mickey Mouse Club. When it finally came time for the show to premiere, I was in trouble. I had caught the Asiatic Flu, troublesome in those days, and was violently sick. I wasn’t allowed to leave my bed. I was so upset at the idea of missing Zorro, that I was probably getting myself sicker. My father carried me out of my bed into the living room to watch the premiere, and I was ecstatic. The show was great (but probably not as great as the one that had built n my mind), and all was right with the world.

Naturally, I owned the comic book when that came out. Now here comes that very same comic via email. Bill Peckmann sent me scans and added a lot of additional material as well. I hope you enjoy it. Here’s Bill:

What happens when you take a cartoonist who excels in designing and staging in black ink and give him the assignment of illustrating a western capped crusader dressed in black, you get the classic comic book series “Walt Disney Presents Zorro”, that’s what!

We lucky fans of Alex Toth always felt it was a match made in heaven, but Alex had a slightly different take on it, which you will read further into the post.

Here is a small scrapbook of “Zorro” art that spans over 40 years.

We start with the first Zorro (origin) story from Dell printed in 1957. The first half of the story is the original color comic book, the second half of the story is a black and white reprint version taken from Eclipse Books’ “The Complete Collection of Zorro” printed in 1988. Editor Dean Mullaney was able to get Alex to add new gray toning to the pages and do two new beautiful covers!

Magazine cover

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The two new covers done in 1988, Alex at the top of his game.

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This illustration is from Manuel Auad’s “Alex Toth” book.

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This is taken from Manuel Auad’s “Alex Toth” book.

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Alex’s thoughts on “Zorro” taken from Dean Mullaney’s Eclipse book.

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Marvel Comics brought Zorro out of retirement in 1991
and Alex did three covers for that venture.

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There was always need for a Zorro sketch here and there
and Alex always obliged!

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Alex Toth worked at Hanna Barbera in their story department. Bill Peckmann told me he had some boards from Toth’s stay there, and I asked him to send them on. The board presented here is far from complete. It’s missing many pages and whole segments. But the images, as might be expected are terrific. So look for the drawing and forget the storytelling.

Here are some comments from Bill:

I’ve come across some Toth storyboards (copies) from his Hanna-Barbera days. One incomplete set is really neat. This is a live action board that Alex did for Hanna-Barbera in 1978. Unfortunately all we have are these Xeroxed 28 random panels from the original board. (I wonder if that still exists anywhere?) At least it gives us a rare peek at how Alex handled a live action film assignment instead of his H-B Saturday morning cartoon fare. With this sparse sampling of pages, the continuity will not make much sense but the individual panels are a pleasure to look at.

The title of movie that Alex did this live action storyboard for, it’s a 1979 film called “C.H.O.M.P.S.”
Here is it’s listing in HALLIWELL’S FILM GUIDE.

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And here is the board:

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- If you’ve ever wanted to own a Rowland B. Wilson cartoon, now’s your chance. A number of Playboy cartoons by Wilson are up for auction via Heritage Auctions. The auction will end on Oct. 13th, and you can make a bid now, if you like. I’ve posted the cartoons available below with some of the descriptive material from the auction house. Good luck.

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“This Year I’m Putting in a Provision For Good Big Boys Too!”
Playboy page cartoon illustration, January 2002

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“A Toast to the New Year!
May It Be Another Prosperous One For Atilla and All Us Huns!”
Playboy cartoon illustration, January 2003

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“We’ve Added a New Kink to the Piñata Tradition!
Playboy cartoon illustration

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“At Long Last, Grandfather, You’ve Taken Me to See the Nutcracker”
Playboy cartoon illustration, January 2000

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“If I Can Bring This Lovely Creature to Life,
She Will Bring Me Everlasting Immorality!”
Playboy cartoon illustration, November 1981

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“I Have a Feeling ’93 is Going to Be a Very Weird Year”
Playboy cartoon illustration, circa 1993

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“Miss Perkins Has a Perfect Record in Dealing with Potential Suicides”
Playboy cartoon illustration, May 2003

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And as long as we’re talking about Rowland Wilson, I can’t pass up the chance to tell you, yet again, how great Trade Secrets is. Subtitled, “Notes on Cartooning and Animation,” the book is so much more than that. It’s a lifetime’s worth of invaluable notes, advice and commentary about illustration, cartooning and (most importantly to me) animation. I’ve read large chunks of this book over and over again. It all seems so basic and simple, when you’re deep into it, but the book is thick with brilliant comments about the art of drawing and painting. You’ve got to get your hands on it just to see how rich the material is. Once you do, though, you’re going to want to own it. I feel not only indebted to Rowland for the material but to Suzanne Lemmieux Wilson for having finished the book and making sure it looks as perfect as it does. It’s a treasure.

To give another view of some other advertising work done by Rowland Wilson, Bill Peckmann forwarded these pieces. Here’s Bill:

I thought maybe you would enjoy seeing the original art of two Phil Kimelman & Ass. house ads. The first one is all Rowland Wilson, both concept and finished art, the second one is a collaboration of Rowlie and Alex Toth.

We’ll start with the printed ad as it appeared in Millimeter magazine in 1979, and then do close ups of the original art.

The full sized ad

CU of the upper left

No lettering in the word balloons, that was done on a separate over lay.

The second PK&A house ad was written by Rowland Wilson, Alex Toth did the finished black and white art and then Rowland colored it with his water colors.

Here’s the black and white.

We took Alex’s original art, xeroxed that on to kid finished
Bristol board, the paper Rowland always worked on.
Here is an unfinished, experimental start by Rowland.

The only time the ad ever ran in color was here
in the 1982 International Film Guide paperback.

Here’s the original art.

Hopefully all will enjoy these panels in their large format
and be able to see how each one works by itself
in the drawing and the coloring.

Here is a small footnote to the history of the ‘Pencil for Hire’ ad.
It’s my rough that started the ball rolling. I was hoping to entice
Alex into doing a take off on a Milton Caniff type Sunday comics
page for our house ad. Fortunately, Rowland was looking over
my shoulder and thought it was time for a rewrite!

The 1982 Film Guide also contained this page, the “Irving Trust” commercial
and the “Dr. Henry” series were designed by Rowland, the “Honeycomb” spot by me.

PS: I wanted to end on this button. For all of us who
still remember “Local 841″ and green subway cars!

- Bill Peckmann offers a bevy of beautiful Alex Toth illustrations for Conan the Barbarian. Here are Bill’s comments for these incredibly fine illustrations:

I haven’t seen many of these Toth illustrations on the Net, and I thought maybe the Toth fans out there might enjoy these.

Here is Alex Toth in the early 1980′s taking a stab at the Sword and Sorcery genre and doing a ripping job of it. These are single page illustrations from Marvel’s black and white magazine, “The Savage Sword of Conan“. Alex is at the top of his game; design and drawing leave nothing to be desired. the assignment held his interest long enough so we came away the winners with these nine examples.

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That was the last of Alex’s Conan. He did a total of
10 illustrations for Marvel’s Conan, so we have all but one.

Here is a 1981 drawing of super heroes that Alex dedicated to Klaus Strzyz,
a fan, a friend and interviewer of Alex’s. The drawing was then made into a
handsome cover on Roy Thomas’ “Alter Ego’s” fanzine tribute to Toth in 2006.

This is the final cover for Roy Thomas’ 2006 “Alter Ego’s” tribute to Toth.

These are the covers of books and magazines that have collected the words and work of Alex. Hopefully for new fans they still might be available somewhere on the net or in used bookstores.

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The next two excellent books were authored and published by Toth fan and friend Manuel Auad. (Manuel was also responsible for the great, recent Robert Fawcett book and the forthcoming (October) book on illustrator Albert Dorne. The illustrator who still remains Jack Davis’ biggest idol!)

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Tipped in autographs for “Alex Toth: Black & White”.

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Alex and his wife/best friend Guyla in their Hollywood home in 1979.
They met at Hanna-Barbera and the rest is history.

Their marriage will be brought to life in the upcoming book “Alex Toth, Illustrated“,
second in the trilogy of Alex’s work, by Dean Mullaney and Bruce Canwell.

Vol 1 & 2 by Dean Mullaney and Bruce Canwell.
Now available on Amazon.

Many thanks to Bill Peckmann for all the scanning as well as the loan of the artwork.

- Bill Peckmann sent me a stash of nine extraordinarily fine illustrations by Alex Toth done for the magazine, The Savage Sword of Conan.

To fill up the post, Bill sent a number of magazine covers (front and back). However, I thought the Conan drawngs so excellent, that I’ve chosen to have them stand alone. So, I’m using these pieces – great as they are (they certainly stand alone as a post) – as a teaser for Thursday’s images of Conan. Trust me, come back if you’re a fan of Alex Toth’s work.

For part 1, Bill wrote:

Here’s a potpourri of front and back covers that Alex did in the 1980′s.

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A wraparound cover/front and back

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And, finally, this quick sketch by Toth.

The Republican and Democratic conventions have me worked up into a political frenzy. Given the patriotic fervor running through my blood, these days, it’s appropriate to post this Alex Toth sampler. There’s nothing more American than good cowboy stories, and Bill Peckmann has sent me just that. Over to Bill:

Alex Toth spent a large portion of his life in Hollywood and not only did he live there, he breathed it! Alex loved movies and like any good film director he was able to do comic book genre stories with the same great flair that a John Ford would bring to his different films.

Here are three ‘Western’ stories by Alex with each one going down somewhat of a different ‘Trail’.
The first one, ‘Anachronism’, was published in DC’s ‘Weird Western Tales’, # 14, Nov. 1972.

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Alex laid out this story horizontally, which makes for
some beautifully composed pages and panels, like a
well done Sunday funnies page of years ago. The readers
would have had to read the book sideways, I wonder how
Alex got away with that with the editors/publishers.

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The story that follows is:
‘The Wings Of Jealous Gods’ from DC’s ‘Adventure Comics’, # 425, Jan. 1973.

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Here are more of the doodles Alex Toth did, these in pen.

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Here is the third Toth Western tale. It was a small booklet done for the Ralston-Purina Cereal Company in 1982.
It’s a story starring movie cowboy Tom Mix. (It must have taken Alex back to his childhood days of Saturday afternoon movie house matinees.)
There was hope of doing more, but as far as I know, this was the only one produced.

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And, finally . . . A couple of more doodles.

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