They will screen The Hedgehog in the Fog and The Overcoat, his long-in-progress film. Norshtein will also have an extended Q&A with the audience.
The man is one of the great animation masters, and I hope that there will be a good turnout for him. I wonder if the copy of The Overcoat that will be shown will be a more current version than the one that’s been screened a couple of years back. I’d read that he was planning to break the film in two and release the first part at the end of 2009. Perhaps that is the case, and we will be seeing this version.
In any event, for me, this is a big event and I’m looking forward to it.
A sketch for The Overcoat.
– I think I was hit with a fascination of the Multiplane Camera when I first read Bob Thomas’ book, The Art of Animation, back in 1959. (See graphic to the right.) After that book I just searched out all the scenes described within it – the flying scene from Peter Pan, the town awakening in Pinocchio, and the entire Old Mill short. I was entranced and paid attention to every use of the device in Disney films. Of course, I saw what Ub Iwerks did with his machine, even before Disney, in all his very odd animated shorts. I even watched Don Bluth develop his own smallish multiplane camera for his films.
My father and brother-in-law teamed to build a multiplane stand for me when I was a kid animating and shooting my own 8mm films. The thing handled 12 levels of glass panels 18″x36″ and had some 5000 watts of lighting spread throughout. It got hot but enabled me to make some interesting films. Not
necessarily good – just interesting. It enabled so much invention in those short film fragments.
Hans Bacher this week has posted a collection of photos of the camera setup from the Disney studio. The collection is thrilling for those of us who have been entranced with this invention.
However, if you really want to get into the nitty-gritty of the machine, you have to visit a number of posts on Hans Perk‘s website A Film LA. There he has posted several extraordinary documents which detail William Garity’s plans for the invention of the Multiplane Camera. You can see these documents here: 1, 2, 3
- Starting Friday on HBO The Ricky Gervais show premieres. This is an animated program built around podcasts that Gervais has been distributing on-line. The voice tracks are animated in LA predictably utilizing Flash for the lowest budget. The style is out of the predictable cookie-cutter mold we’ve been seeing lately. You can catch a couple of segments here.
The NYTimes has an article in their Sunday paper about the show, but, as might be expected, nothing about the animation is actually discussed. Star driven vehicles aren’t about the animation. Though the Times does offer an excellent interactive feature that showcases a lot of the artwork.
It’s difficult to find out much about the actual production. Media Rights Capital is co-producing the animated HBO show along with Wildbrain. The credited animation director is Craig Kellman.
The review in Variety wasn’t glowing:
. . . employing a stiff “The Flintstones”-type look and visual template.
Animation would seem to be an ideal vehicle for this, but there’s only so much it can do — in part because there’s no adhesive to the episodes. The three guys sit and bullshit for 20-some-odd minutes — at times entertainingly — until the program simply ends. Perhaps that’s why the effect diminishes as the episodes wear on, though Glyn Hughes’ jaunty score does play them out on a high note.
If you’re a Ricky Gervais fan, I suggest you check out his blog. It’s actually entertaining without being too “me me me”.