Michael Sporn Animation – Splog

- Here’s the last installment of Muggins Mouse. This is a book that was illustrated by Keith Ward.

The copy I’m posting was a Xeroxed copy Rowland Wilson pulled for Bill Peckmann. They selected some to copy in color, and others they made B&W copies. Consequently, we have this mix-version of the book. Unfortunately, it’s a rare enough book that we don’t have access to the original. Regardless, there’s plenty to enjoy in Mr. Ward’s great illustrations.

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(Click any image to enlarge.)

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We’re missing a page here. No #53.

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- Muggins Mouse is a book, illustrated by Keith Ward. The copy I’m posting was a Xeroxed copy Rowland Wilson pulled for Bill Peckman. They selected some to copy in color and others, to save money, they made B&W copies. Consequently, we have this mix version of the book. Unfortunately, it’s a rare enough book that we don’t have access to the original. Regardless, there’s plenty to enjoy in Mr. Ward’s great illustrations.

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- Years ago, Rowland B. Wilson sent Bill Peckmann a lot of xeroxes of this book, illustrated by Keith Ward. Muggins Mouse is not an easy book to locate, and it’s a beauty. So let’s just take a look at part 2 of the book (which is all of about 60 pages.)

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- With this post, I’m concluding the material loaned to me by Bill Peckmann of Rowland Wilson‘s sterling artwork for Hercules. I started this post last week, and you can go back there to see other character designs.

These watercolors are less character designs than they are inspirational pieces. They are inspirational. How stunning this art. I would have loved seeing something like this on the screen rather than Gerald Scarfe‘s. But that’s just me.

As with some of the last posts, I’m showing the larger piece (and they are large) and then going in for some tighter blowups.

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Typed beneath this image:
HERC AND PHIL ADDRESS ZEUS ON MT. OLYMPUS
The realm of the gods is in the sky. The landscape is made of sky imagery –
the classic buildings, the trees, the hills are the colors of rainbows, thunderheads,
lightning, rain, hail and stars. Trees have tops made of clouds and trunks of rain
or lightning. Buildings evolve out of mist as do the gods themselves.
The gods can be large or human scale as needed.

In mythology, Zeus changed himself into a swan, a bull, a cloud,
and even a shower of gold.

Everything is as changeable and colorful as a sunset.

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Hercules and the Hydra.

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Typed below this image:

THE HOME OF THE GODS.

A skyscape. Trees, mountains and waterfalls appear and dissolve away.
We can see shapes in the clouds – temples and statues.
Lightning flashes and stars gleam in unexpected places.
The whole skyscape is slowly drifting.

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This ain’t heaven.

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This one looks almost as though it were painted
on black velvet – appropriately enough.

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- Here are more of the stunning pre-production watercolors Rowland B. Wilson did for The Hunchback of Notre Dame while working at Disney. (Last week’s post can be found here.)

This group of images is labelled, “The Siege” and concerns itself with the climax of the film where the people storm Notre Dame Cathedral and Quasimodo pours oil on them. These pictures are so beautiful (and large) that I can’t help but split them up so you can see some of the closeup detail.

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Now this is a Hunchback I could love.

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These two character designs look like they were influenced
by Richard Williams’ “Cobbler & the Thief.” Since Rowland worked
with Dick in London, it’s possible.

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Errol Le Cain by way of Rowland B. Wilson. Beautiful.

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At first I wasn’t sure which end was up on this image.
It might be correctly viewed counter-clockwise.
However, the label in the lower left should be the lower left.

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Many thanks to Bill Peckmann for the generous loan of this material.

Next week Hercules.

- Bill Peckmann has sent me an incredible cache of photostats. These are watercolor paintings Rowland B. Wilson did while working for Disney. There are two groups of paintings: one for The Hunchback of Notre Dame, one for Hercules.

These were all inspirational sketches, and they’re all extremely long. Consequently, I’m posting them in batches. The first comes from Hunchback, and I’ll post the full sized image, then break each down into a couple of parts so that you can appreciate the incredible detail Rowland did in these things.

I hope you enjoy them.

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More of the Hunchback paintings to come next week.

Many many thanks to Bill Peckmann for sharing these glorious images.

- Thanks to Bill Peckmann, I’ve posted some of Rowland B. Wilson‘s art from his Disney years (mostly The Little Mermaid artwork). Now. Bill has sent me some work from The Hunchback of Notre Dame.

A second posting of this art will be forthcoming; it’s a larger size and will take more comlications in scaning.

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Does it get any better than this?
She could have stepped out of Gulliver’s Travels.

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The charm in these birds is also ineffably beautiful.

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These two (above and below) seem to belong to Hercules.

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This final piece didn’t come from The Hunchback’s artwork, but was slipped into Bill’s Package from Rowland. I’ve seen it before, but it’s always fun to see it again.

Many thanks to Bill Peckmann for sharing.

I posted part of Rowland B. Wilson‘s book, The Whites of Their Eyes, two weeks ago. (Go here to see that post.) This book was published in 1962 by Dutton and displays in B&W many of the Wilson cartoons up to that time. The display is not always glorious, but it is the only printed copy of any of his panel cartoons. Consequently, we have to be grateful for what we have.

These cartoons are xeroxed copies from Bill Peckmann‘s large collection of Rowland’s work. I’m grateful for his loan of these illustrations to post here.

(Click any image to enlarge.)

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Rowland B. Wilson‘s Istanbul Express appears in his book The Whites of Their Eyes which was published by Dutton in 1962. However it’s in B&W and appears relatively small size. Hard to read. Denis Wheary, a first rate collector and authority on Rowland B. Wilson’s work, has kindly photographed the original Esquire publication in color and has sent these photos to me. Using some heavy photoshop work, I was able to clean up the photos to a very presentable shape. Here are the four pages.

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Here’s a color cartoon right out of Playboy courtesy of Bill Peckmann.

Also from Bill Peckmann’s outstanding collection of Rowland Wilson art is this flyer Rowland designed to promote himself.

Here are a pair of Consumer Reports covers done by RBW.
I suggest you click to enlarge to check out all the detail.

Here are a pair of Christmas cards RBW did
for some Customer Service center.

And here are a pair done for a dentist.

- Last week, I’d posted some dragon models that Rowland B. Wilson did for animation company Phil Kimmelman & Ass. for ‘Utica Club Beer’. Well, it turns out Rowland liked the model enough that he kept this painting on the wall in his studio at home. The color image was sent to Bill Peckmann, who shares it with us, by Suzanne Wilson, Rowland’s wife.

This is the model posted last week.

Here’s the image which hung in RBW’s studio.

All that I can follow that up with are more Rowland B. Wilson cartoons. Bill Peckmann had sent me a xerox copy of the book The Whites of Their Eyes, a collection of RBW cartoons printed in 1962 by Dutton. The copies are all B&W though it’s obvious some of them were printed in color. Many thanks to Bill for another great post featuring one of my favorite artists.

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